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Use mic technique to help control level: if the singer can be persuaded to pull back from the mic slightly when singing louder notes, there’s less risk of overloading the recorder or mic preamp, and you won’t need to use so much compression to even things up. An experienced singer may also lean into the mic on quieter, more intimate passages to exploit the proximity effect. However, to prevent an inexperienced singer getting too close to the mic, position the pop shield about three inches (7.5 centimetres) from the mic. It simply involves the volume level of you voice input into the mic, and the volume level on the mixer channel hosting it, to get a good mix

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